compositions for stage

detour (instrumental theatre work, text by Theodor W. Adorno), speaker, cello, piano, percussion, 2 tapes, 1974; Glückspavillon for Cathy (instrumental theatre work, text by the composer), tuba, tape, 1978; Womans Voice (ballet, scenario by the composer, after Rafal Wojaczek, choreography Ewa Wycichowska), 4 percussion, tape, 1980; Light (monologue, text by the composer), actress, 1981; Satan in Goray (ballet, scenario by the composer, after Isaac Bashevis Singer, choreography Ewa Wycichowska), flute, violin, cello, piano, tape, 1993; Der Erwählte (ballet, scenario by Marek Wortman, after Thomas Mann, choreography Ewa Wycichowska), bagpipes, soprano recorder (+ alto recorder, tenor recorder, bass recorder), baroque trombone, lute, violin, viola da gamba, harmonium, synthesizer, 2 percussion, 1995; Awakenings (ballet, scenario by Piotr Bikont, after Oliver Sachs, choreography ), speaker, soprano saxophone (+ tenor saxophone, percussion), synthesizers (+ samplers) (1 player), interactive light-sound installation, 1998; The HeartpieceDouble Opera (opera composed together with John King, libretto after Heiner Müller), soprano, electric guitar, string quartet, synthesizer (+ sampler), drumkit, performance space (by Krzysztof Zarebski), 1999; Spiegelverkehrte Reise (text by Piotr Bikont), soprano, actor, 2 CDs, 2000; The circus has come! (instrumental theatre, text by the composer), soprano, dancer, flute, cello, piano, prepared piano, 2 CDs, 2003; Sonata nr 16 (for de ereprijs ensemble), 2006; Meetings (in two unfinished acts) ballet for Polish Dance Theatre and Grand Theatre in Łódź , scenario and choregraphy by Ewa Wycichowska, 2011; The Final Judgement, opera, libretto by Miroslaw Bujko, premiere performance 9.11.2017 by Baltic Opera in Gdansk